Sampler Track including slicing, LFOs and legato glide SpectraLayers One for surgically editing sound in the spectral domain Soundly Cloud Services support for sending files from Soundly into Nuendo 11 Sound design tools and content for creating enhanced sonic experiences in any genre
Job Queues for queueing multiple jobs with different export requirements and processing all at once Intelligibility Meter for making sure dialog is both audible and intelligible to the listener
Netflix Loudness Meter for ensuring your streamed content is compliant to Netflix specifications SuperVision metering plug-in suite with customizable settings for the most accurate view of your sound Nuendo 11 New Feature Summaryĭolby Atmos production workflow for authoring content to Dolby Atmos specifications within Nuendo Steinberg Nuendo 11, comes with ADM authoring for Dolby Atmos, integrated Dolby Atmos Renderer, Netflix Loudness Meter and Intelligibility Meter, plus many other feature additions and workflow enhancements. In this article, we take a look at the features in Steinberg’s Nuendo 11, designed to be a completely integrated solution to create Dolby Atmos content. The reason is simple: the real thing sounds so much more powerful.Įxperience the fully updated 2.0 version of Symphobia.Following Apple’s recent announcement of Spatial Audio with Dolby Atmos on Apple Music at no additional cost, we decided to look further afield and see what other DAWs can offer when it comes to producing Dolby Atmos content.
Instead of focusing on individual multi-samples, Symphobia offers ensemble multi-samples in numerous arrangements for orchestral sections as well as a full orchestra performing together. Symphobia is not your traditional orchestral sample library. You’ll find full orchestra rips & hits, string risers, brass clusters and woodwind textures.
Like the ensemble performances, the effects are available in different orchestrations, performed by different sections from the orchestra. Symphobia is famous for its cinematic orchestral effects.
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